BE CHAP BEATS (Clips)
Tuesday, July 24, 2018
Daniel Anassi (MadeFellaDA)
Daniel Anassi (MadeFellaDA), a member of the Houston based rap group MadeFellaz, began his musical career as a hobby, while playing sports in school. Music became therapeutic for MadeFellaDA while recovering from a career ending injury sustained while playing football in high school. The youngest of the group, he was inspired by his brother (MadeFellaDrew) and two cousins (MadeFellaJojo, MadeFellaCoop) and learned different styles and flow patterns as a result. As a group, MadeFellaz, has released six (6) studio albums. MadeFellaDA recently wrapped up his first solo project, (The Leap On Faith). This album is a mini visual short film, which features true events that have transpired throughout his life. As a creative and intellectual artist, MadeFellaDA uses his visuals to bring the lyrics that he writes to life. Life experiences and mishaps can often shape us into the person that we become, because they help to build our character. With that in mind, the magnitude of this project was something that he had never experienced before. It began with true-life events that occurred in his life, which fueled life altering emotions that he memorialized in writing. Each chapter traces his journey to the person that he is today by capturing all his victories and triumphs. Every single lyric chronicles MadeFellaDA in his own words; no alternative facts or fake news, just real-life experiences.
Tuesday, July 17, 2018
Beat Talk: Interview with SOUNDZ GRATE
Soundz Grate: I'm well, these days I've been overly anxious. I have inspiration hitting me every day, and I can't seem to find the time to capture it all.
The Beat Yard: What have you been working on lately?
Soundz Grate: I've been working on my studio, I believe every artist needs an at home studio. I've been building on it and remodeling for about a year now. There's nothing like creating something magical from scratch. Aside from that I've been remastering singles, and looking to actually place on the charts just to see where it goes. I'm pretty curious about that. Lastly finishing my LP Orchid. The fans have been asking to buy it, but it's not ready yet. I want to drop a couple of videos first.
The Beat Yard: What types of beats bring out the best in what you do?
Soundz Grate: When it comes to bringing the best out, I'd have to say a chill-hop or a mellow-groove. Jazzy mixes with an air of soul and pain. All of my songs so far with the exception of "The day before I lost It all", came from me just feeling the mood of the instrumental. I hardly write my songs. I feel it takes some of the passion out of what the artist means to truly express.
The Beat Yard: Who are some of the producers you've worked with?
Soundz Grate: The list of producers I've worked with is very short. The Augusta, GA legend Bizzo Beats was the very first producer I was able to work with. I fell in love with the process of making a recorded song after leaving Pulse Studios. The second producer is an underground favorite here in Augusta and goes by the name of Wavvy Pluto. Extremely talented brotha. Last but not least Lil Virgil, I was blessed when I was able to link up with such a humble person. All my tracks have a hidden flare because of him. There are a few others, yet they are more so composers than producers.
The Beat Yard: Who are some of the producers you would like to work with in the future?
Soundz Grate: Oh that is an easy one hands down! I'd like to work with Rodnae Da Boss. Crazy talent at what he does, an ear for music is an understatement. Now I would be lying if I said I didn't want to work with Timbaland, Dr Dre, Dark Child, or Chuckii Booker. I can go on listing them but I think this is a good range. What do you think?
The Beat Yard: Do you buy beats?
Soundz Grate: I try to purchase symphonies, but yes. One would have to be mad not to. The instrumental is their form of the art. I'm simply the enthusiastic painter ready to spray my graffitti on it.
The Beat Yard: In your own words, what separates a beatmaker from a producer?
Soundz Grate: The answer is truly in the question its self. The beatmaker or composer arranges a series of sounds together, usually consisting of snares for the count, bass, strings, sound effects, etc to make up the "composition"/beat/ instrumental. Yet that's where it stops.
The producer on the other hand works with the artist who would lay vocals over the composition. In some cases the producer is also the composer. The producer will fit the artist to the composition, coach them through the track, and work hand in hand with the sound engineer to get the best everything from the artist. From the start of the song to the end of the song a producer is there.
This is the difference.
The Beat Yard: What is your process for selecting tracks and putting together a song?
Soundz Grate: Generally speaking for every artist, unless I'm building a beat from scratch with an all around producer. I play a ton of beats until I find one that speaks to me, then I simply proceed in a 3 minute conversation. As far as how I put my songs together I like to try and switch up the order in which I do things. Kind of like Kanye.
The Beat Yard: Is there anything else you would like to mention in this interview?
Soundz Grate: I want to be very forward in saying that I want to do this "thing" in a way that no one has ever done. I want to do this "thing" a different way, and be overly successful at it. Simply because I can, now with that being said I'm working on a Reggae EP, Country EP , and Rock EP. I love music in its entirety.
Download the "WeOnRadio" App in the Android store, and thank you so much for supporting me!!
Friday, July 13, 2018
BEAT TALK: Interview with Younga B. of Blazed Up Records
The Beat Yard sits down and chops it up with rising Hartford, CT based emcee and battle rapper YOUNGA B. about the types of beats that suit his needs and bring out the best in him as a lyricist. Read all about what he has to say in this in-depth one on one interview.
The Beat Yard: What's up Younga B.? Could you tell the readers a little something about you?
Younga B: Whats shakin? I'm from Hartford CT North end. I'm not just a rapper, I'm a musical genius.
The Beat Yard: What type of beats bring out the best in what you do?
Younga B: I like the grimy old school boom bap. That brings out the neanderthug in me. Something about that vibe brings the grit outta me which makes me come up wit the best bars. On the flip side I like speedy trap beats heavy on the bass sharp snare. That brings out my melodic side.
The Beat Yard: How would you describe the beats on your most recent projects?
Younga B: On my most recent project the beats are a mix of soul trap with a slight classic hip hop feel.
The Beat Yard: Who are some of the beatmakers / producers you work with?
Younga B: I work with the greatest set of producers in the world. You got Marti Mcflii, Gainbandz Kgod, Chuckles Beatz, Blinky blank, Twizzie808. They are the main and maybe the only producers I work with.
The Beat Yard: Who are some of the producers / beatmakers that you would like to work with
in the future?
Younga B: I would like to do some work with Chill Shump he got a cool sound. On a larger scale id like to work with No I.D., Kanye West, Timbaland, or sounwave.
The Beat Yard: What type of sounds or instruments do you like in beats?
Younga B: I like all real instruments for starters but my favorite thing to hear in beats is the bassline. It gotta be funky, the snare, It gotta shock the soul, and the keys gotta take em to chuuuuch!
The Beat Yard: Do you buy beats?
Younga B: Fuck no
The Beat Yard: Why is that?
Younga B: Because I have a team of producers as well as myself and we can make anything I need.
The Beat Yard: Do you like to work on a track with a producer, or do you prefer a producer just send you a track and you work on it on your own time?
Younga B: To be honest with you either or works for me it doesn't take a difference.
The Beat Yard: In your own words, what's the difference between a producer and a beatmaker?
Younga B: A beatmaker just makes beats for anybody and sells then. A producer crafts specific styles for certain artists. As well as build the beat in a way that guides the artists content on the song.
Follow Younga B. on Instagram at @younga_hoe
Friday, June 15, 2018
TRADITIONAL SOCIAL MEDIA HAS REACHED ITS PEAK. HERE’S WHAT’S NEXT:
TRADITIONAL SOCIAL MEDIA HAS REACHED ITS PEAK. HERE’S WHAT’S NEXT:
In less than a decade, social media has revolutionized the business of art. On every major platform, selfies coexist alongside product launches, tour announcements, and album drops. Likes, followers, comments, and messages ultimately result in real money and real relationships. Entire empires have emerged from these interactions, challenging and outpacing the old guards of broadcast TV and print media.
In theory, anyone can share their art with everyone. In practice, it’s complicated. Artists have more access to more people than ever before, and vice versa. According to the 2018 Pew Research Center Survey, 88% of U.S. adults are active on social media. Everyday more than 80 million photos and videos are shared on Instagram alone.
With more access comes more content and more noise. It’s getting harder and harder for emerging artists to find a sustaining audience. Like the fading tactics of traditional advertisers, the old tricks of social media don’t work in today’s world. Anyone can have a presence. Not everyone is fully present.
Which makes sense. Many online relationships are parasocial, a tidy term for the kind of one-sided relationships that sustain artistic careers.
Even though most fans will never meet the artists they follow, they feel like they know them and, in a sense, they do. This dynamic creates lots of leverage for artists as well as serious communication challenges. How can an individual artist maintain a sense of authentic connection with millions of humans while still making art, going on tour, and having some time to themselves?
ONE-TO-ONE COMMUNICATION MAKES FOR STRONGER RELATIONSHIPS
It’s important to get clear about where we are before we talk about where we’re going. For one, many artists and businesses suffer from strikingly low engagement rates that reflect their mostly paid-for audience. Authenticity is more than just a buzzword. Direct connection is a necessity.
The last great shift in social media occurred when Facebook introduced the news feed structure and deemphasized the personal profile. Since then, messaging is arguably the most compelling technology to emerge from social media. As of April 2017, there are more than 1.2 billion monthly active users on Facebook messenger, a remarkable 20% growth rate since July 2016. This rapid increase of activity on Facebook messenger and similar apps reflects the special importance of messaging per se.
Whether it’s Facebook Messenger, Instagram DM’s, or Snapchat, the most powerful exchanges happen in one-to-one or group conversations, spaces where people can initiate and nurture connection. In both personal and commercial contexts, conversation is the arguable essence of relationship. The next wave of social media will not only include but actually focus on messaging technologies that support parasocial relationships.
This is a big deal. Until recently, artists and brands have simply not had access to technology that allows them to have one-to-one conversations with their audience at scale. For this reason, messaging is the keystone for significant shifts in the way business happens online. Especially the business of art.
AUTOMATED MESSAGING IS THE FUTURE OF SOCIAL MEDIA MARKETING
Although the field is in its infancy, there are some pioneers worth mentioning. One notable pathfinder is Stashimi, a platform that helps artists and brands launch their own messaging and voice channels. They’re already working with artists like Zedd, G-Eazy, Alina Baraz, and Kelly Clarkson to create media-rich Facebook Messenger assistants that automatically respond to fans 24/7 and provide a single touch point to find music, video, tour dates, merchandise and news.
There are many generalized messaging bots, but Stashimi is unique in that it’s founders (tech veterans Jurgen Kurz and André Rabold) designed the platform to meet the specific needs of artists and entertainment brands. Stashimi CMO Kosta Elchev was instrumental in developing the early digital strategies for major record labels, artists, and brands including Snoop Dogg, Red Bull, and a little show called Keeping Up With The Kardashians. Given their roots in culture marketing and music tech, it’s no surprise that that platform includes music specific integrations that many chatbot platforms lack. Ticketing and merch come standard.
While it’s true that email marketing affords a similar kind of scale when it comes to marketing communications, direct messaging far outpaces the efficacy. Average open rates for email hover around 20% compared to a whopping 60% or higher for direct messages.
And this is just the beginning. Technology that prioritizes parasocial relationships will go hand-in-hand with AR and VR experiences to usher in unprecedented interconnection between artists, brands, and audiences. As was the case on many of the original social platforms, early-birds tend to have a lasting advantage.
Thursday, May 31, 2018
Promise For Keeps (Remix) Matthew Schultz x Gyptian x Electric Bodega
The original version of Promise For Keeps has been very successful with almost 600,000 streams on Spotify already, reaching #21 on the iTunes UK Dance Charts, Top 100 on Beatport, #18 on Music Week Club Charts and is currently trending on various Spotify playlists. It now has over 3.5 million plays on Soundcloud for all remixes!
This latest remix is by Electric Bodega, a DJ/Production duo from Staten Island,New York, Mike Cash and DJ Klutch. They have done remixes for Drake, Jay Z, Justin Bieber, Konshens and Avicii and their original material has hit over a million streams on Spotify, with their last two remixes reaching over 7 million streams.
It takes the idea of a reggae/dancehall vibe of the first remix and takes it into new territory. After a vocal introduction from Gyptian, it breaks into a syncopated reggae beat with an exotic vibe guaranteed to get hips swaying on the dancefloor. The exotic feel increases with a section featuring a wild flute melody over a four-to-the-floor kick, maintaining the syncopated percussion that makes the whole track groove.
This continues into the second verse, and returns for the final minute giving it a tribal, bacchanalian mood that will have the dancefloor going crazy by the end. I've already stated the merits of the song itself; a lilting, memorable vocal melody with touchingly romantic lyrics. This remix retains those strengths, along with the smooth-as-honey vocals of Gyptian and the equally fine vocals of Schultz in the second half.
Overall, this is a fantastic remix that will send this song's popularity through the roof, along with raising the profile of Matthew Schultz, Gyptian and Electric Bodega even further. For fans of Calvin Harris, PartyNextDoor and in particular Major Lazer and Diplo, they are going to love this remix and is expected to be a DJ favorite in all the clubs this summer.
Matthew Schultz social links:
Friday, May 18, 2018
Meet the company that’s changing the way fans interact with musicians.
Meet the company that’s changing the way fans interact with musicians.

There's been a pretty major shift recently in the ways artists market their music online. Since the rise of social media networks, the artists have turned their attention to building their fan base on rented land, but we're witnessing a massive shift in the way people communicate with one another and the way fans communicate with artists. Akin to the shift twenty years ago from phone to email, and ten years ago from desktops to mobile, today fans are moving to messaging platforms. This shift creates an enormous opportunity for artists attempting to identify, understand, and engage fans.
In 2017 social networks started rolling out changes to their algorithms to show more posts from friends on the feeds. This move made it harder for artists and brands to reach their audience without having to pay for boosted posts. This inability to reach the fans is frustrating, to say the least, for artists who have spent significant time and money building their audience on these networks. And it’s disappointing for fans who expect to be able to stay in contact with their favorite artists. That’s why the shift to messaging platforms provides such an opportunity. If artists can connect with fans on one-to-one messaging, then their reach with news and messages is not limited. Fans receive the intended message, which is not the case with a broad social post. Moreover, research shows that fans are more likely to open messages sent via messaging platforms where they are already active than they are to open emails. Based on reported figures, Facebook Messenger alone serves more than 1.3 billion monthly users--right around the number of people using Instagram, Twitter and Snapchat combined. But artists don't have an easy way to build their presences on the app. Recently there's been a slew of companies that are building tools for brands to launch their Messenger profile but only one that is focusing on creators.
Stashimi is the latest company that has unveiled their Artist Messenger platform which helps artists and entertainment brands connect with and monetize their audience on messenger platforms and smart speakers. For the past eight months, Stashimi has been working with artists like G-Eazy, Zedd, Alina Baraz, Andrew WK, Blake Shelton, and their record labels and managers to run tests and optimize their toolsets. “We want to make sure that our platform is powerful enough to create value but simple enough to use for those without a technical background in coding. We also want to be sure it is equally effective for established and emerging artists,” says CMO Kosta Elchev. Earlier this year G-Eazy and Zedd both used Artist Messenger around their music releases to drive people into Spotify and dramatically increased their playlisting and streaming numbers. They’ve both also integrated their Shopify merch store into their Messenger channels which allows users to browse and buy their merch.
Stashimi has reported that their platform leads to engagement rates from 25-60% on artist content with almost 90% opt-in rates for push-notifications. These metrics compare favorably to current industry-average engagement rates on social networks of less than 1% on non-paid social posts and email click-through rates of 2.85 percent. In a nutshell: if you are an artist, you need far fewer fans connected on Messenger than you would need to have following you on social media or subscribed to an email list, to get the same level of engagement. In concrete terms, what Stashimi data shows, based on pilots with current artist clients, is that an artist with two million social followers will get more individual click-throughs to content from a push-notification to 20,000 Messenger subscribers than from a non-paid post to two million social followers.
When this data are combined with the live-show activations Stashimi clients are using to connect with fans at venues, then the power of the tool comes into even more precise focus.
Engagement is just the beginning. Using the conversational interface provided by messaging platforms, artists can guide fans to transactions -- streams, views, tickets, merch. Imagine if you're an artist who has 500,000 to 1,000,000 social followers and now you can reliably and effectively reach 60% of them. You could start a movement. And why shouldn't artists you be able to reach all their your fans? They're your fans, you've built that following and nothing should stop you from being able to connect with every single one of them.
Outside of messaging apps, Stashimi is also working with select artists on building the first ever-artist Skills for Alexa (The Echo by Amazon), allowing fans to find relevant news, listen to music, purchase tickets and merch, or play games with the artist's content. “We believe that voice is the next frontier for artists connecting with their fans. What's more important than the artist's voice? If you're an artist manager or working with any sort of entertainment brand, smart messaging assistants, and voice-activated smart-speaker applications can be a valuable way to connect and communicate with your audience,” commented Stashimi CEO Juergen Kurz.
For more info check out www.ArtistMessenger.com
Wednesday, May 9, 2018
Meet the company that’s changing the way fans interact with musicians.

Meet the company that’s changing the way fans interact with musicians.
There's been a pretty major shift recently in the ways artists market their music online. Since the rise of social media networks, the artists have turned their attention to building their fan base on rented land, but we're witnessing a massive shift in the way people communicate with one another and the way fans communicate with artists. Akin to the shift twenty years ago from phone to email, and ten years ago from desktops to mobile, today fans are moving to messaging platforms. This shift creates an enormous opportunity for artists attempting to identify, understand, and engage fans.
In 2017 social networks started rolling out changes to their algorithms to show more posts from friends on the feeds. This move made it harder for artists and brands to reach their audience without having to pay for boosted posts. This inability to reach the fans is frustrating, to say the least, for artists who have spent significant time and money building their audience on these networks. And it’s disappointing for fans who expect to be able to stay in contact with their favorite artists. That’s why the shift to messaging platforms provides such an opportunity. If artists can connect with fans on one-to-one messaging, then their reach with news and messages is not limited. Fans receive the intended message, which is not the case with a broad social post. Moreover, research shows that fans are more likely to open messages sent via messaging platforms where they are already active than they are to open emails. Based on reported figures, Facebook Messenger alone serves more than 1.3 billion monthly users--right around the number of people using Instagram, Twitter and Snapchat combined. But artists don't have an easy way to build their presences on the app. Recently there's been a slew of companies that are building tools for brands to launch their Messenger profile but only one that is focusing on creators.
Stashimi is the latest company that has unveiled their Artist Messenger platform which helps artists and entertainment brands connect with and monetize their audience on messenger platforms and smart speakers. For the past eight months, Stashimi has been working with artists like G-Eazy, Zedd, Alina Baraz, Andrew WK, Blake Shelton, and their record labels and managers to run tests and optimize their toolsets. “We want to make sure that our platform is powerful enough to create value but simple enough to use for those without a technical background in coding. We also want to be sure it is equally effective for established and emerging artists,” says CMO Kosta Elchev. Earlier this year G-Eazy and Zedd both used Artist Messenger around their music releases to drive people into Spotify and dramatically increased their playlisting and streaming numbers. They’ve both also integrated their Shopify merch store into their Messenger channels which allows users to browse and buy their merch.
Stashimi has reported that their platform leads to engagement rates from 25-60% on artist content with almost 90% opt-in rates for push-notifications. These metrics compare favorably to current industry-average engagement rates on social networks of less than 1% on non-paid social posts and email click-through rates of 2.85 percent. In a nutshell: if you are an artist, you need far fewer fans connected on Messenger than you would need to have following you on social media or subscribed to an email list, to get the same level of engagement. In concrete terms, what Stashimi data shows, based on pilots with current artist clients, is that an artist with two million social followers will get more individual click-throughs to content from a push-notification to 20,000 Messenger subscribers than from a non-paid post to two million social followers.
When this data are combined with the live-show activations Stashimi clients are using to connect with fans at venues, then the power of the tool comes into even more precise focus.
Engagement is just the beginning. Using the conversational interface provided by messaging platforms, artists can guide fans to transactions -- streams, views, tickets, merch. Imagine if you're an artist who has 500,000 to 1,000,000 social followers and now you can reliably and effectively reach 60% of them. You could start a movement. And why shouldn't artists you be able to reach all their your fans? They're your fans, you've built that following and nothing should stop you from being able to connect with every single one of them.
Outside of messaging apps, Stashimi is also working with select artists on building the first ever-artist Skills for Alexa (The Echo by Amazon), allowing fans to find relevant news, listen to music, purchase tickets and merch, or play games with the artist's content. “We believe that voice is the next frontier for artists connecting with their fans. What's more important than the artist's voice? If you're an artist manager or working with any sort of entertainment brand, smart messaging assistants, and voice-activated smart-speaker applications can be a valuable way to connect and communicate with your audience,” commented Stashimi CEO Juergen Kurz.
For more info check out www.ArtistMessenger.com
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